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Andrea di Cione Orcagna Collection

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Background imageAndrea di Cione Orcagna Collection: Canonised bishop, possibly St Augustine, (oil on canvas)

Canonised bishop, possibly St Augustine, (oil on canvas)
7129207 Canonised bishop, possibly St Augustine, (oil on canvas) by Guerrieri, Giovanni Francesco (1589-c.1647); Museo della Citta, Rimini, Italy; (add.info.: Canonised bishop, possibly St Augustine)

Background imageAndrea di Cione Orcagna Collection: Frescos from the assumption chapel (fresco)

Frescos from the assumption chapel (fresco)
7294106 Frescos from the assumption chapel (fresco) by Uccello, Paolo (1397-1475) & Giusto, Andrea di (c.1400-50) ; Duomo, Prato, Italy; (add.info.: Frescos from the assumption chapel)

Background imageAndrea di Cione Orcagna Collection: Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel

Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel
6365927 Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel, Detail of the Saint Saint who teaches lepers, while holding one in his arms and washing the feet of the others

Background imageAndrea di Cione Orcagna Collection: The Pentecost, 1365-70 circa, (panel)

The Pentecost, 1365-70 circa, (panel)
7129073 The Pentecost, 1365-70 circa, (panel) by Orcagna, Andrea di Cione (c.1308-68); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: The Pentecost, 1365-70 circa, Andrea di Cione)

Background imageAndrea di Cione Orcagna Collection: Madonna with child, c. 1365 (wood painting)

Madonna with child, c. 1365 (wood painting)
7294100 Madonna with child, c.1365 (wood painting) by Orcagna, Andrea di Cione (c.1308-68); Museo dell'Opera del Duomo, Prato, Italy; (add.info.: Madonna with child, 1365 circa)

Background imageAndrea di Cione Orcagna Collection: Saint John the Baptist, saint John the evangelist, saint Giles, 1330-1335 (panel)

Saint John the Baptist, saint John the evangelist, saint Giles, 1330-1335 (panel)
7129097 Saint John the Baptist, saint John the evangelist, saint Giles, 1330-1335 (panel) by Casentino, Jacopo del (1297-1358); Galleria dell'Accademia, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: Madonna and Child enthroned with saints, 1345 circa, (panel)

Madonna and Child enthroned with saints, 1345 circa, (panel)
7129090 Madonna and Child enthroned with saints, 1345 circa, (panel) by Orcagna, Andrea di Cione (c.1308-68); Galleria dell'Accademia, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: Jael killing Sisera, 1685 (fresco)

Jael killing Sisera, 1685 (fresco)
3928880 Jael killing Sisera, 1685 (fresco) by Pozzo, Andrea (1642-1709); Sant Ignazio, Rome, Italy; (add.info.: Interior: detail of one of the pendentives of the false dome of the transept Roma)

Background imageAndrea di Cione Orcagna Collection: Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun

Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun
6365888 Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Background imageAndrea di Cione Orcagna Collection: Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius

Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius
6365884 Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Background imageAndrea di Cione Orcagna Collection: Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph

Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death
6365883 Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 by Orcagna

Background imageAndrea di Cione Orcagna Collection: Allegory of Obedience, the Bardi Chapel, vault, 1320-25

Allegory of Obedience, the Bardi Chapel, vault, 1320-25
6365908 Allegory of Obedience, the Bardi Chapel, vault, 1320-25 by Giotto (Giotto di Bondone) (c.1266-1337); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross, the Bardi Chapel)

Background imageAndrea di Cione Orcagna Collection: Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death

Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell
6365885 Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco) by Orcagna

Background imageAndrea di Cione Orcagna Collection: The Coronation of the Virgin, first half XIV century (detached fresco)

The Coronation of the Virgin, first half XIV century (detached fresco)
6365894 The Coronation of the Virgin, first half XIV century (detached fresco) by Maso di Banco (fl.1336-46); Santa Croce, Florence

Background imageAndrea di Cione Orcagna Collection: The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death

The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c
6365887 The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 by Orcagna, Andrea di Cione (c.1308-68); Santa Croce, Florence

Background imageAndrea di Cione Orcagna Collection: Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas

Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas
6365886 Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius; Lucifer clutching two Giants and Antenor

Background imageAndrea di Cione Orcagna Collection: Thomas Miles Richardson Snr. (litho)

Thomas Miles Richardson Snr. (litho)
2914448 Thomas Miles Richardson Snr. (litho) by Storey, John (1828-88); Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Thomas Miles Richardson)

Background imageAndrea di Cione Orcagna Collection: Rose window, Santa Maria Assunta Cathedral, Orvieto, Umbria, Italy

Rose window, Santa Maria Assunta Cathedral, Orvieto, Umbria, Italy
2914054 Rose window, Santa Maria Assunta Cathedral, Orvieto, Umbria, Italy by Orcagna, Andrea di Cione (c.1308-68); (add.info)

Background imageAndrea di Cione Orcagna Collection: Angel beating a Drum, detail from the Linaivoli Triptych, 1433 (tempera on panel)

Angel beating a Drum, detail from the Linaivoli Triptych, 1433 (tempera on panel)
BEN75621 Angel beating a Drum, detail from the Linaivoli Triptych, 1433 (tempera on panel) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

Background imageAndrea di Cione Orcagna Collection: The Strozzi Altarpiece, 1357 (panel) (detail of 72246)

The Strozzi Altarpiece, 1357 (panel) (detail of 72246)
BAT75596 The Strozzi Altarpiece, 1357 (panel) (detail of 72246) by Orcagna, Andrea di Cione (c.1308-68); Santa Maria Novella, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageAndrea di Cione Orcagna Collection: The Strozzi Altarpiece, 1357 (panel) (detail of 72246)

The Strozzi Altarpiece, 1357 (panel) (detail of 72246)
BAT75593 The Strozzi Altarpiece, 1357 (panel) (detail of 72246) by Orcagna, Andrea di Cione (c.1308-68); Santa Maria Novella, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageAndrea di Cione Orcagna Collection: Interior wall with illusionistic painting, 25 BC - AD 25 (fresco)

Interior wall with illusionistic painting, 25 BC - AD 25 (fresco)
LEE241042 Interior wall with illusionistic painting, 25 BC - AD 25 (fresco) by Roman; House of Augustus, The Palatine, Rome, Italy; eDavid Lees Photography Archive; out of copyright

Background imageAndrea di Cione Orcagna Collection: The Adoration of the Magi, detail from the base of the Tabernacle, 1349-59 (marble)

The Adoration of the Magi, detail from the base of the Tabernacle, 1349-59 (marble)
LEE241020 The Adoration of the Magi, detail from the base of the Tabernacle, 1349-59 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: Ms. Plut. 12. 17 f. 4r Disciples of St. Augustine, from De Civitate Dei

Ms. Plut. 12. 17 f. 4r Disciples of St. Augustine, from De Civitate Dei
BEN85040 Ms. Plut.12.17 f.4r Disciples of St. Augustine, from De Civitate Dei, (11th-12th century) (vellum) by Italian School, (11th century); Biblioteca Medicea-Laurenziana, Florence

Background imageAndrea di Cione Orcagna Collection: Tabernacle, detail showing the Death and Assumption of the Virgin, 1359 (stone)

Tabernacle, detail showing the Death and Assumption of the Virgin, 1359 (stone)
BEN85037 Tabernacle, detail showing the Death and Assumption of the Virgin, 1359 (stone) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: The Annunciation and the Nativity. High relief of marble carved, 1298-1301

The Annunciation and the Nativity. High relief of marble carved, 1298-1301
LRI4595145 The Annunciation and the Nativity. High relief of marble carved, 1298-1301 by Pisano, Giovanni (c.1245-p.1314); Sant Andrea, Pistoia

Background imageAndrea di Cione Orcagna Collection: Tabernacle: Death and Assumption of the Virgin Mary. High marble relief, 1359

Tabernacle: Death and Assumption of the Virgin Mary. High marble relief, 1359
LRI4595132 Tabernacle: Death and Assumption of the Virgin Mary. High marble relief, 1359 by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: Sacra Conversazione with St. Catherine, John the Baptist and Two Donors (oil on panel)

Sacra Conversazione with St. Catherine, John the Baptist and Two Donors (oil on panel)
BEN112973 Sacra Conversazione with St. Catherine, John the Baptist and Two Donors (oil on panel) by Palma, Jacopo (Il Vecchio) (c.1480-1528); 134x201 cm; Museo di Capodimonte, Naples, Campania

Background imageAndrea di Cione Orcagna Collection: The Triumph of Death, detail of the tormentation of the damned, 1348 (fresco)

The Triumph of Death, detail of the tormentation of the damned, 1348 (fresco)
BEN112970 The Triumph of Death, detail of the tormentation of the damned, 1348 (fresco) by Orcagna, Andrea di Cione (c.1308-68); Santa Croce, Florence, Italy; Photo eRaffaello Bencini; Italian

Background imageAndrea di Cione Orcagna Collection: Sir Isaac Newton, 1710

Sir Isaac Newton, 1710
BAL72317 Sir Isaac Newton, 1710 by Thornhill, James (1675-1734); 122x101.5 cm; Trinity College, Cambridge, UK; English, out of copyright

Background imageAndrea di Cione Orcagna Collection: The Strozzi Altarpiece, 1357 (panel) (see 75592-6 for details)

The Strozzi Altarpiece, 1357 (panel) (see 75592-6 for details)
BEN72246 The Strozzi Altarpiece, 1357 (panel) (see 75592-6 for details) by Orcagna, Andrea di Cione (c.1308-68); Santa Maria Novella, Florence, Italy; Photo eRaffaello Bencini; Italian

Background imageAndrea di Cione Orcagna Collection: Interior of a catacomb chamber cut from tufa stone showing fragments of frescoed

Interior of a catacomb chamber cut from tufa stone showing fragments of frescoed
BEN85202 Interior of a catacomb chamber cut from tufa stone showing fragments of frescoed decoration, 2nd century (photo) by Paleo-Christian; Catacombs of San Gennaro, Naples

Background imageAndrea di Cione Orcagna Collection: The Triumph of Death, fragment depicting beggars, 1348 (fresco)

The Triumph of Death, fragment depicting beggars, 1348 (fresco)
BEN82982 The Triumph of Death, fragment depicting beggars, 1348 (fresco) by Orcagna, Andrea di Cione (c.1308-68); Santa Croce, Florence, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Background imageAndrea di Cione Orcagna Collection: Stemma of the stonemasons and carpenters guild, 1440-45 (glazed terracotta)

Stemma of the stonemasons and carpenters guild, 1440-45 (glazed terracotta)
LEE241026 Stemma of the stonemasons and carpenters guild, 1440-45 (glazed terracotta) by Della Robbia, Luca (1400-82); Orsanmichele Church and Museum, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: The Adoration of the Magi, detail from the base of the Tabernacle, 1349-59 (marble)

The Adoration of the Magi, detail from the base of the Tabernacle, 1349-59 (marble)
LEE241021 The Adoration of the Magi, detail from the base of the Tabernacle, 1349-59 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: Detail of floor decoration (mosaic)

Detail of floor decoration (mosaic)
3469994 Detail of floor decoration (mosaic) by Italian school (6th century); Basilica di Sant Eufemia, Grado, Italy; eMark Edward Smith; Italian, out of copyright

Background imageAndrea di Cione Orcagna Collection: Tabernacle, 1347-60 (marble)

Tabernacle, 1347-60 (marble)
3469976 Tabernacle, 1347-60 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany, Italy; eMark Edward Smith; Italian, out of copyright

Background imageAndrea di Cione Orcagna Collection: Cabinet of physics, 1687 (pen & ink on paper) (b / w photo)

Cabinet of physics, 1687 (pen & ink on paper) (b / w photo)
XIR242767 Cabinet of physics, 1687 (pen & ink on paper) (b/w photo) by Le Clerc, Sebastien I (1637-1714); Ecole Nationale Superieure des Beaux-Arts, Paris, France; French, out of copyright

Background imageAndrea di Cione Orcagna Collection: The Annunciation, detail from the base of the Tabernacle, 1349-59 (marble)

The Annunciation, detail from the base of the Tabernacle, 1349-59 (marble)
LEE241019 The Annunciation, detail from the base of the Tabernacle, 1349-59 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: The Marriage of the Virgin, detail from the base of the Tabernacle, 1349-59 (marble)

The Marriage of the Virgin, detail from the base of the Tabernacle, 1349-59 (marble)
LEE241018 The Marriage of the Virgin, detail from the base of the Tabernacle, 1349-59 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany

Background imageAndrea di Cione Orcagna Collection: Stemma of the silk weavers guild (glazed terracotta)

Stemma of the silk weavers guild (glazed terracotta)
LEE241024 Stemma of the silk weavers guild (glazed terracotta) by Della Robbia, Luca (1400-82); Orsanmichele Church and Museum, Florence, Tuscany, Italy; eDavid Lees Photography Archive; Italian

Background imageAndrea di Cione Orcagna Collection: Presentation of the Virgin in the Temple, detail from the base of the Tabernacle

Presentation of the Virgin in the Temple, detail from the base of the Tabernacle
LEE241022 Presentation of the Virgin in the Temple, detail from the base of the Tabernacle, 1349-59 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence

Background imageAndrea di Cione Orcagna Collection: The Siege of Florence in 1530, 1563-65 (fresco)

The Siege of Florence in 1530, 1563-65 (fresco)
BEN75600 The Siege of Florence in 1530, 1563-65 (fresco) by Straet, Jan van der (Joannes Stradanus) (1523-1605); Palazzo Vecchio (Palazzo della Signoria) Florence

Background imageAndrea di Cione Orcagna Collection: The Strozzi Altarpiece, 1357 (panel) (detail of 72246)

The Strozzi Altarpiece, 1357 (panel) (detail of 72246)
BAT75592 The Strozzi Altarpiece, 1357 (panel) (detail of 72246) by Orcagna, Andrea di Cione (c.1308-68); Santa Maria Novella, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageAndrea di Cione Orcagna Collection: The Triumph of Death, detail of the damned in the pit of hell, 1348 (fresco)

The Triumph of Death, detail of the damned in the pit of hell, 1348 (fresco)
BEN112969 The Triumph of Death, detail of the damned in the pit of hell, 1348 (fresco) by Orcagna, Andrea di Cione (c.1308-68); Santa Croce, Florence, Italy; Photo eRaffaello Bencini; Italian

Background imageAndrea di Cione Orcagna Collection: Annunciation - attributed to Barthelemy d Eyck, Church of the Madeleine

Annunciation - attributed to Barthelemy d Eyck, Church of the Madeleine
LSE4095900 Annunciation - attributed to Barthelemy d Eyck, Church of the Madeleine, Aix-en-Provence, 1444 by d Eyck, Barthelemy (fl.1444-1476); Private Collection; (add.info)

Background imageAndrea di Cione Orcagna Collection: Saint Peter and Saint Paul - by Andre d Orcagna (1329 - 1389), Museum of Menton

Saint Peter and Saint Paul - by Andre d Orcagna (1329 - 1389), Museum of Menton
LSE4095883 Saint Peter and Saint Paul - by Andre d Orcagna (1329 - 1389), Museum of Menton by Orcagna, Andrea di Cione (c.1308-68); Musee des Beaux-Arts, Menton

Background imageAndrea di Cione Orcagna Collection: A View of Sheffield from Psalter Lane, c. 1850 (oil on canvas)

A View of Sheffield from Psalter Lane, c. 1850 (oil on canvas)
SAG75599 A View of Sheffield from Psalter Lane, c.1850 (oil on canvas) by McIntyre, J. (19th century); 133.2x199.7 cm; Sheffield Galleries and Museums Trust



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