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Trappers without Ammunition and in a Starving Condition near Independence Rock, c. 1850 (sepia wash on paper)
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Trappers without Ammunition and in a Starving Condition near Independence Rock, c. 1850 (sepia wash on paper)
5310518 Trappers without Ammunition and in a Starving Condition near Independence Rock, c.1850 (sepia wash on paper) by Miller, Alfred Jacob (1810-74); 36.2x47.3 cm; Joslyn Museum, Omaha, Nebraska, USA; (add.info.: Miller and Scottish soldier Sir William Drummond Stewart (1795-1871) accompanied Thomas Fitzpatrick (1799-1854) trapper with the American Fur Company in 1837 on the Oregon Trail through old Nebraska Territory to one of the last fur trappers rendezvous in the Green River Valley, now Wyoming.
Semi fictional account of trappers using the pseudonyms Killbuck and Le Bonte cooking rattlesnakes when the traders caravan found them in Wyoming)
Media ID 24677784
© Bridgeman Images
2 People 2 Persons Abandoned American Fur Company Rendezvous American West Caravan Excursion Explore Frontier Fur Traders Geographical Hunters Miller Alfred Jacob 1810 74 Oregon Trail Pioneers Plains Indians Rockies Rocky Mountains Traders Trapper Two Persons Unoccupied America Continent Dying Gents Several People Several Persons
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EDITORS COMMENTS
The sepia-toned print titled "Trappers without Ammunition and in a Starving Condition near Independence Rock, c. 1850" captures a poignant moment in American history. The image showcases two trappers, Killbuck and Le Bonte, cooking rattlesnakes as they find themselves abandoned and dying in the rugged wilderness of Wyoming. Painted by Alfred Jacob Miller in the 19th century, this artwork offers a semi-fictional account of the hardships faced by trappers during their expeditions through the Rocky Mountains. Miller himself accompanied Thomas Fitzpatrick on his journey along the Oregon Trail, providing him with firsthand experience to depict this scene accurately. The painting serves as a reminder of the challenges encountered by early pioneers and explorers who ventured into uncharted territories. It highlights their resilience and resourcefulness as they struggled to survive amidst harsh conditions. This piece also sheds light on the significant role played by fur traders like Killbuck and Le Bonte in opening up trade routes across North America. Their encounters with Native American tribes further contribute to our understanding of cultural exchange during that era. Displayed at Joslyn Museum in Omaha, Nebraska, this artwork stands as a testament to both artistic skill and historical documentation. Through its evocative portrayal of human struggle against nature's forces, it invites viewers to reflect upon the untamed beauty of America's frontier past.
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