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The Terminal, 1893, printed c. 1910 (photogravure in original frame)

The Terminal, 1893, printed c. 1910 (photogravure in original frame)


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The Terminal, 1893, printed c. 1910 (photogravure in original frame)

877398 The Terminal, 1893, printed c.1910 (photogravure in original frame) by Stieglitz, Alfred (1864-1946); 25.4x33.3 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; Gift of Penelope Tyson Adams in memory of her husband, John Barclay Adams

Media ID 25189136

© Gift of Penelope Tyson Adams in memory of her husband, John Barclay Adams / Bridgeman Images

Atmospheric Carriages Harlem Post Chaise Pullman Car Snowy Station Steam Terminal America Continent Americhe Black And White Photograph Shire Horse Stallions


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Horses > Shire Horse

> Animals > Farm > Related Images

> Animals > Mammals > Horse > Shire

> Animals > Mammals > Muridae > Western Mouse

> Architecture > Country > America

> Architecture > Related Images

> Arts > Artists > D > Alfred > Related Images

> Arts > Artists > S > Alfred Stieglitz

> Arts > Artists > W > John White

> Arts > Realistic drawings > Still life artwork > Fine art

> Fine Art Finder > America & American Art (+canada)

> Fine Art Finder > Artists > Albert Toft

> Fine Art Finder > Artists > Alfred Stieglitz


The Terminal, 1893

EDITORS COMMENTS
is a captivating photograph captured by Alfred Stieglitz in the early 20th century. This photogravure print, dating back to around 1910, showcases the bustling atmosphere of New York City's terminal during winter. The image transports us to a snowy day, where horse-drawn carriages and steam-powered buses navigate through the cold streets. The architectural beauty of the terminal stands tall amidst the flurry of activity. Smoke billows from chimneys, adding an atmospheric touch to this urban scene. Stieglitz masterfully captures both the grandeur and grittiness of city life in this snapshot. The horses that pull carriages are juxtaposed with racehorses and ponies nearby, highlighting the diversity of animals present in this vibrant metropolis. This historic photograph offers a glimpse into America's past - a time when transportation relied heavily on animal power and steam engines. It serves as a reminder of how far we have come technologically while also evoking nostalgia for simpler times. Displayed within its original frame at the Sterling and Francine Clark Art Institute in Massachusetts, USA, "The Terminal" is not just an artwork but also a testament to history. Generously gifted by Penelope Tyson Adams in memory of her husband John Barclay Adams, it continues to captivate viewers with its timeless charm.

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