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View of the island of St. Helena, c. 1821 (colour litho)
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View of the island of St. Helena, c. 1821 (colour litho)
CHT181949 View of the island of St. Helena, c.1821 (colour litho) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: place of exile for Napoleon Bonaparte (1769-1821); ); eArchives Charmet; French, out of copyright
Media ID 23356368
© Archives Charmet / Bridgeman Images
British Territory Exiled Fort Fortification French Emperor Frigate Jamestown Lookout Outpost Sainte Helene Settlement South Atlantic Ocean
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EDITORS COMMENTS
This print showcases the breathtaking "View of the island of St. Helena" in all its natural beauty and historical significance. Taken around 1821, this colour lithograph by the French School transports us to a time when St. Helena served as a place of exile for none other than Napoleon Bonaparte himself. The image captures the island's picturesque harbour, with ships dotting its crystal-clear waters. A majestic fortress stands tall on one side, serving as an outpost and lookout over this British territory. The landscape is dominated by rugged mountains that add drama and grandeur to the scene. As we delve deeper into the details, we notice various boats scattered throughout – from frigates to tugboats – highlighting both naval presence and transport activities during that era. The army troops stationed here are also depicted, emphasizing St. Helena's role as a strategic fortification. This view not only offers us a glimpse into history but also allows us to appreciate the sheer magnificence of this remote island in the South Atlantic Ocean. From its mountainous terrain to its serene harbor, every element captured in this print speaks volumes about St. Helena's significance as an exiled settlement for one of history's most renowned figures. With such rich detail and historical context, it is no wonder that this artwork has found its home at Musee de la Ville de Paris, Musee Carnavalet in Paris, France – where visitors can immerse themselves in both artistry and history alike.
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