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Antiquities Gallery

Choose from 866 pictures in our Antiquities collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.

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Magical pendant, 3rd - 4th century AD (gold & heliotrope) Featured Antiquities Image

Magical pendant, 3rd - 4th century AD (gold & heliotrope)

3036872 Magical pendant, 3rd - 4th century AD (gold & heliotrope) by Roman; length: 4.1 cm; Private Collection; ( The outer edge of the plain bezel with a fringe of granulation, a suspension loop above, the flat oval stone engraved with Chnoubis, the lion-headed serpent with a coiled tail, the head within a rayed nimbus, a Greek inscription naming the deity, XNOVBIC, dispersed between the rays, a crescent and star in the field to the left, all enclosed within a line border and an inscription, IAWCABAWTHABPACASMIXAHLEW, a series of magical names including Iaw, Sabaoth, Abrasax and the archangel Michael, followed by "I am," the convex reverse with a two-line inscription, OVPIHL COVPIHL, for the two archangels Uriel and Suriel, framed by stars, with an off-center perforation); Photo A© Christie's Images; out of copyright

© © Christie's Images / Bridgeman Images

Nome Gods Bearing Offerings, c.1391-1353 BC (painted limestone) Featured Antiquities Image

Nome Gods Bearing Offerings, c.1391-1353 BC (painted limestone)

499892 Nome Gods Bearing Offerings, c.1391-1353 BC (painted limestone)
by Egyptian 18th Dynasty (c.1567-1320 BC); 66x133 cm; Cleveland Museum of Art, OH, USA; ( These blocks from a temple wall have preserved their original painted decoration to a remarkable degree. The four portly figures in the lower register bear emblems on their heads identifying them as nomes, or provinces, of ancient Egypt. Carrying trays heaped with offerings and leading sacrificial animals, they personify the bounty of the land. First (on the right) is the Oryx Nome, followed by the Dog Nome, the Falcon Nome, and the Double Scepter Nome.
The face of each nome figure is a miniature portrait of Amenhotep III, and each recites a speech in the king's name. The first figure says, "King Nebmaatra [Amenhotep III] has come, bringing to you every good thing that is in this land, that you may give him all life, stability, dominion, and all health from you." The second, third, and fourth figures bring "all greens," "the produce of the Two Lands [Upper and Lower Egypt], "and" all offerings and provisions." The god to whom the nomes bring offerings stood in the fragmentary upper register, facing a standing figure of the king, Amenhotep III. The pair of legs on the right belonged to the god; the single foot on the left belonged to the king. The god held a scepter, forked at the bottom, embellished with coils of rope (for eternity), tadpoles (for hundreds of thousands), and notched palm ribs (for years), the whole signifying "an eternity of hundreds of thousands of years."
These blocks may be from Amenhotep III's temple at Kom el-Ahmar, ancient Hebenu, in Middle Egypt, dedicated to the god Horus. Hebenu was the capital of the Oryx Nome, which leads the procession of nome gods. Amenhotep III's temple was later dismantled, and its blocks were reused in the foundations of another structure, which would account for the excellent preservation of the paint.
Egypt, New Kingdom, Dynasty 18 (1540-1296), reign of Amenhotep III
); John L. Severance Fund; Egyptian, out of copyright

© John L. Severance Fund / Bridgeman Images

Arched Sistrum, 380-343 BC (bronze, hollow cast) Featured Antiquities Image

Arched Sistrum, 380-343 BC (bronze, hollow cast)

491046 Arched Sistrum, 380-343 BC (bronze, hollow cast)
by Egyptian 30th Dynasty (380-343 BC); h:21.40 w:5.30 cm; Cleveland Museum of Art, OH, USA; ( A sistrum is a musical rattle. Metal disks strung on wires along the arched upper end of the sistrum produced a rustling sound that was supposed to have a calming effect on the nerves of various deities, especially the goddesses Hathor and Bastet. Appropriately, this example is decorated with a Hathor head (a woman with cow's ears) and a cat (the image of Bastet). These instruments are particularly associated with women, who played them as members of a temple choir.
); Gift of the John Huntington Art and Polytechnic Trust; Egyptian, out of copyright

© Gift of the John Huntington Art and Polytechnic Trust / Bridgeman Images