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Eva, statue by Tullio Lombardo, once part of the monument to the Doge Andrea Vendramin (in the Church of Santi Giovanni e Paolo in Venice), and now in the Palazzo Vendramin-Calergi
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Eva, statue by Tullio Lombardo, once part of the monument to the Doge Andrea Vendramin (in the Church of Santi Giovanni e Paolo in Venice), and now in the Palazzo Vendramin-Calergi
Eva, statue by Tullio Lombardo, once part of the monument to the Doge Andrea Vendramin (in the Church of Santi Giovanni e Paolo in Venice), and now in the Palazzo Vendramin-Calergi Venice Palazzo Vendramin-Calergi Statue High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915 - 1920 ca.. Date of Artwork:1478-1500 ca.. Artist:Lombardo, Tullio
Alinari, Fratelli
ACA-F-12619B-0000
Media ID 33112038
© Alinari Archives, Florence
Bible Old Testament Femalehigh Renaissance Human Psychology People Pyschological Behavior Shame Women
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EDITORS COMMENTS
This photograph captures the timeless beauty of "Eva" a statue sculpted by Tullio Lombardo. Once an integral part of the monument to the Doge Andrea Vendramin in the Church of Santi Giovanni e Paolo in Venice, this exquisite artwork now resides in the Palazzo Vendramin-Calergi. The statue itself is a masterful example of High Renaissance art, showcasing Lombardo's exceptional talent and attention to detail. Created between 1478-1500, "Eva" embodies both Renaissance and Renaissance-Baroque styles, reflecting the artistic influences prevalent during that era. With its graceful curves and delicate features, "Eva" symbolizes more than just physical beauty. This sculpture delves into deeper realms, exploring shame, psychological behavior, human psychology, and women's roles within society. As one gazes upon her nude form, it becomes evident that she represents not only an individual but also various physiological and psychological aspects inherent to all humankind. Drawing inspiration from biblical stories found in the Old Testament, "Eva" invites contemplation on themes such as temptation and sin. Through her presence alone, she evokes a sense of mystery while simultaneously offering insights into our own complex nature. Alinari Fratelli expertly captured this photograph sometime between 1915-1920. Their lens immortalized Lombardo's masterpiece for generations to come. The juxtaposition of time periods - First and Second Millennium A. D. , alongside early 20th-century photography - adds another layer of intrigue to this already fascinating piece. As we admire this remarkable image today, let us appreciate not only its aesthetic appeal but also its ability to transcend time and speak volumes about humanity's eternal quest for understanding ourselves through art.
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